April explores the inherent agency of our surrounding landscape, manifested through the transient nature of both its animals and materials. Utilizing her experiences as a woman moving through varied landscapes as a methodological approach, April delves into questions of animal, human, and non-human agency. Her observations of Scottish Post-Industrialism and local stories of heritage reveal the interplay between decay and transition evident in our material landscapes, from rural Lanarkshire to the built city of Glasgow. Navigating the intersectionality of painting and sculpture, she transforms the gallery space into a space where refusal and desire intersect, herding the audience along specific pathways with blocks of material colour.