top of page
Screenshot (43)_edited.jpg
download (1)_edited.jpg
received_431742192113629_edited.jpg
280527958_1711115919241473_1893807864515012846_n.jpg

Materials Matter-Remade, was a two year long research collaboration with Midton & The Glasgow School of Art to trial 'Remade', a recycled plastic for artistic usage. (2021-2022). The project consisted of numerous site visits, exhibitions, artworks, work placement and concluding publication by Goodpress, two exhibitions and a presentation at the 2024 ELIA Education conference.

Projects

Click to Explore. 

EXHIBITION-MIDTON (35 of 9) (1).jpg

Reveal, Remade (2023)

APRIL ASSEMBLING.jpg
ALISSA MIXES ACRYLIC.jpg

Factory: Behind the scenes, photographer and film maker, Jen Martin captures the inner makings of the five artworks. 

Research Paper: Re-make, Re-Imagine (2023) By April

Synopsis:

​

My aim is to explore the vibrancy of material-based artworks and their potential to engage in debates surrounding environmentalism, animacy and agency. I do so by placing value on both material inquiry and sculptural process, as I repurpose industrial waste into visual art. Throughout this journal, I unveil my collaboration with two Scottish manufacturer’s, Midton Acrylic’s, and The Scottish Leather Group, upcycling their biproducts into sculptural objects. In doing so, I recognise my own immersion as the artist within an active environment of ‘things’, intertwining an analysis of New Materialist literature to identify salient points regarding the artistic usage, and treatment of materials. Key term’s within my writing include Anthropocene, material circularity, agency, New Materialism, and vibrancy. Key scholars include Jane Bennett, Rosi Braidotti and Tim Ingold.

c.jpg
a.jpg

Marking the Surround (Encapsulated) (2022)

IMG-20221116-WA0017 (2).jpg
IMG-20221116-WA0040 (1).jpg

Spilled Milk (2022)

bottom of page